salmon don't dazzle ([info]greensilver) wrote in [info]sga_flashfic,

[38 Minutes] Nonlinear Progression by Greensilver

36 minutes of typing like mad and two of double-checking a character name, so forgive any possible typos. *g*

Title: Nonlinear Progression
Author: [info]greensilver
Spoilers: through Hot Zone
Pairing: Beckett/McKay, Sheppard/McKay.
Challenge: 38 Minutes

---

"You're an idiot," Carson says, and shoves Rodney against the dry erase board with all of its color-coded sketches of Ancient drones. "You're an idiot, and your drawings are crap."

The eraser ledge digs into the backs of Rodney's thighs; the markers clatter to the ground, scattering across the hard-packed ice. "Who said anything about-"

Carson shuts him up with mouth and teeth and tongue, and Rodney's fingers skitter across the board in search of leverage. The drone sketches smear into swirls of color, and when Rodney grabs Carson's jaw with both hands, tiny streaks of red and black smudge over Carson's skin.

-

They don't start sleeping together until Atlantis, until Rodney winds up in the infirmary for the fifth or tenth time and Carson breaks again, giving in. Carson always gives in first.

Rodney stands next to the bed in his boxers, feeling like a complete moron because Carson isn't doing anything, he's just sitting there looking pensive and unhappy and far, far less horny than Rodney would've liked.

"Is this a midlife crisis?" Rodney says, attempting to delay the moment when he either has to take his boxers off or put his pants back on. "There are cars for that sort of thing. I'm sure Major Sheppard-"

Then Carson is off of the bed and everywhere at once, and there's a certain indefinable something in his touch that's almost possessive, almost predatory. Rodney wonders what kink he could possibly have stumbled across, standing there with arms akimbo and boxers askew, but he doesn't question it.

Later, he wishes he had.

-

They stop sleeping together before Perna, before the storm, before John. They stop because Rodney cares, because Rodney worries, and ultimately, because Rodney can't deal with either of those things.

There are ways, myriad possibilities that would allow them to conveniently avoid attending the same briefings, working on the same projects, encountering each other at meals - in the corridors - in the infirmary. Instead, Carson develops a raging appetite and Rodney becomes more injury-prone than ever, and they pick away at one another merely by existing.

Rodney almost gives in after Perna, but by then John is making eyes at him across the briefing table and it's already too late, or so Rodney tells himself. He almost gives in after the storm, but Elizabeth goes through a clingy period and it's all Rodney can do to get a few seconds alone with Carson at a time, or so he pretends.

He kisses John once, just once, and as he's fumbling with John's uncooperative uniform shirt Rodney realizes that Carson saw this, he figured it out long before Rodney ever did.

Rodney doesn't sleep with John, but it doesn't matter. Kissing him once is enough to make Rodney want John, and he can't go back to Carson like that. He can't sleep with John, either - so he settles into the safe inbetweenness of wanting John and missing Carson, and he's comfortable there - or at least, he ought to be.

-

The irony of it all is that John is the real hero of the piece; John risks it all, John saves the day. Carson just watches, is absolutely helpless, does nothing that makes a difference.

But when Rodney is dying, all he can think about is Carson, and the fact that Carson is going to watch as it happens. Later, when the bodies have been disposed of and the populace has had all the sedatives it can take, he winds up on the floor of Carson's quarters with his head in Carson's lap, doing his absolute best not to turn into a gibbering idiot.

"I thought," he says, and there are more words to follow those, lots of them, but his throat closes and his vision blurs and all of the other words are meaningless, anyway.

"Me, too," Carson says, and he sounds just like he did earlier, frightened and relieved and puzzled, all at once.

They stay like that until Rodney's vision is clear and Carson's hands are steady, and then Rodney reaches up to touch Carson's knee and asks, "Should I go?"

Carson's hands settle on Rodney's shoulders, not quite holding him down.

"No," he says. "I don't think you should."

</font>
Tags: author: greensilver, challenge: 38 minutes

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[info]ms_smooth

April 9 2005, 04:28:24 UTC 7 years ago

I like this. I wish I could pinpoint why, find that line (or the half a dozen) that make me blink and grin and think, or garner any other reaction. Except I go to pick one out and I have to start at the beginning, and I end up rereading instead, tearing it apart and trying to piece it back together again.

[info]tigs

April 9 2005, 05:08:36 UTC 7 years ago

This was beautifully written. Lovely and painful, with Rodney stuck between Carson and John. How Carson knew before Rodney did, what was going to happen with Sheppard--or what Rodney wanted to happen. It just flowed so wonderfully. Very nice.

[info]karendreamer

April 9 2005, 05:11:23 UTC 7 years ago

This is so different, such a mood piece. I really love it, so much emotion is there, but so much is also left to the reader's imagination.

[info]elvinborn

April 9 2005, 05:12:22 UTC 7 years ago

I don't think the ending is abrupt at all. I think the whole thing is perfect.

I have nothing constructive to say. just that I loved it.
you should really write more (not necessarily of this story, but more fics in general)

[info]cathexys

April 9 2005, 06:07:46 UTC 7 years ago

this is wonderful...you evoke all three men's feelings and worries and hopes in such a brief space...and you even make me want rodney to go back to carson! thank you!

[info]wickedwords

April 9 2005, 17:17:17 UTC 7 years ago

Oh, poor carson. I loved the tiny details of this piece, from the markers to the emotions, what was said and what was not. The pain was really lovely. thanks.

[info]zortified

April 9 2005, 19:02:03 UTC 7 years ago

This piece makes me so happy I can barely think of what to say. I love it. I love that you took John into account of a Becekett/McKay pairing and gave 'em the who does Rodney love angst and - yea! let him end up with Beckett. ;-)

[info]adelynne

April 9 2005, 19:23:42 UTC 7 years ago

I love your style. You have such a beautiful way of evoking mood and thought. The pace is great too, emotions pulling it forward, but there isn't time to dwell or time to get bogged down in exposition. There's a lot of action, but it all seems even.

[info]jenlev

April 9 2005, 20:49:08 UTC 7 years ago

this is elegantly written, and so poignant. the idea of rodney being comfortable with the "inbetweenness" is absolutely perfect. this story creates so many layers, and you write the characters very true. *g*

[info]sweeneybird

April 9 2005, 22:17:22 UTC 7 years ago

"Is this a midlife crisis?" Rodney says, attempting to delay the moment when he either has to take his boxers off or put his pants back on. "There are cars for that sort of thing. I'm sure Major Sheppard-"

perfect. This was just great - liked your Rodney voice.

[info]burntcopper

April 10 2005, 00:20:33 UTC 7 years ago

Oh. meep. Very complex and even better for not being simplified.

[info]dirty_diana

April 10 2005, 15:58:30 UTC 7 years ago

Aw, Rodney. Fics that can actually make me worry about Rodney must be well done. Nice job.

[info]astolat

April 13 2005, 15:47:03 UTC 7 years ago

I also really liked this, despite not being a big Beckett fan; you make him more appealing to me than the show itself does. The confusion and uncertainty of the flow of the relationships between the three of them feels very real, and I love that sort of melancholy feel.

[info]ex_danvers514

April 13 2005, 20:05:50 UTC 7 years ago

I loved this. Especially his choice of staying inbetween wanting and missing. That was very cool.

[info]jenlev

April 13 2005, 20:07:40 UTC 7 years ago

i wanted to re-read this because it's just eloquent and full of the breadth of their personalities. and the last line is just as powerful in the re-read. you write from internal stillness beautifully.

[info]ninkasa

April 13 2005, 20:55:39 UTC 7 years ago

This is beautiful.

[info]out_there

June 23 2005, 15:56:35 UTC 6 years ago

Oh, that's lovely. Just the right touch of... I'm not even sure. But whatever it is you need to make Rodney oblivious and sympathetic and still feel *real*, you've got it.

[info]dark_cygnet

September 5 2005, 21:01:54 UTC 6 years ago

This is so beautiful even with the darkness of the words.

Instead, Carson develops a raging appetite and Rodney becomes more injury-prone than ever, and they pick away at one another merely by existing.

This line really struck me. The whole story did for that matter, that Rodney ccould have and still want, then retreating behind his walls because he thinks thats how it's supposed to be and can live with that. But the best part of the story for me is that he came back to Carson. Thanks for a great story, i really enjoyed it.

[info]juri_anne

November 16 2006, 20:20:10 UTC 5 years ago

*blinks*

*gapes*

How the hell did I miss this fic? Seriously. Cause, damn this was so wonderuflly sad and beautiful at the same time! They're love is so perfect for each other and Rodney is sometimes just so silly to see that.

I loved the beginning with Carson practically attacking him. Its so sexy! *bounces with glee*

I know you posted this a while ago, but someone recced it over in Unloved Fic Promo Party, where people mention one of their fics they thought would have gotten more feedback and they rec a fic that they loved and deserved more feedback than they got. It's a great idea, if you want to check it out.
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